The tone of the question made the idea a possibility for which Fleda had nothing from this moment but terror. "I don't know, Mrs. Gereth; how can I say?" she asked. "I've not seen him for so long; as I told you just now, I don't even know where he is. That's by no fault of his," she hurried on: "he would have been with me every day if I had consented. But I made him understand, the last time, that I'll receive him again only when he's able to show me that his release has been complete and definite. Oh, he can't yet, don't you see, and that's why he hasn't been back. It's far better than his coming only that we should both be miserable. When he does come he'll be in a better position. He'll be tremendously moved by the splendid thing you've done. I know you wish me to feel that you've done it as much for me as for Owen, but your having done it for me is just what will delight him most! When he hears of it," said Fleda, in desperate optimism, "when he hears of it—" There indeed, regretting her advance, she quite broke down. She was wholly powerless to say what Owen would do when he heard of it. "I don't know what he won't make of you and how he won't hug you!" she had to content herself with lamely declaring. She had drawn Mrs. Gereth to a sofa with a vague instinct of pacifying her and still, after all, gaining time; but it was a position in which her great duped benefactress, portentously patient again during this demonstration, looked far from inviting a "hug." Fleda found herself tricking out the situation with artificial flowers, trying to talk even herself into the fancy that Owen, whose name she now made simple and sweet, might come in upon them at any moment. She felt an immense need to be understood and justified; she averted her face in dread from all that she might have to be forgiven. She pressed on her companion's arm as if to keep her quiet till she should really know, and then, after a minute, she poured out the clear essence of what in happier days had been her "secret." "You mustn't think I don't adore him when I've told him so to his face. I love him so that I'd die for him—I love him so that it's horrible. Don't look at me therefore as if I had not been kind, as if I had not been as tender as if he were dying and my tenderness were what would save him. Look at me as if you believe me, as if you feel what I've been through. Darling Mrs. Gereth, I could kiss the ground he walks on. I haven't a rag of pride; I used to have, but it's gone. I used to have a secret, but every one knows it now, and any one who looks at me can say, I think, what's the matter with me. It's not so very fine, my secret, and the less one really says about it the better; but I want you to have it from me because I was stiff before. I want you to see for yourself that I've been brought as low as a girl can very well be. It serves me right," Fleda laughed, "if I was ever proud and horrid to you! I don't know what you wanted me, in those days at Ricks, to do, but I don't think you can have wanted much more than what I've done. The other day at Maggie's I did things that made me, afterwards, think of you! I don't know what girls may do; but if he doesn't know that there isn't an inch of me that isn't his—!" Fleda sighed as if she couldn't express it; she piled it up, as she would have said; holding Mrs. Gereth with dilated eyes, she seemed to sound her for the effect of these words. "It's idiotic," she wearily smiled; "it's so strange that I'm almost angry for it, and the strangest part of all is that it isn't even happiness. It's anguish—it was from the first; from the first there was a bitterness and a kind of dread. But I owe you every word of the truth. You don't do him justice, either: he's a dear, I assure you he's a dear. I'd trust him to the last breath; I don't think you really know him. He's ever so much cleverer than he makes a show of; he's remarkable in his own shy way. You told me at Ricks that you wanted me to let myself go, and I've 'gone' quite far enough to discover as much as that, as well as all sorts of other delightful things about him. You'll tell me I make myself out worse than I am," said the girl, feeling more and more in her companion's attitude a quality that treated her speech as a desperate rigmarole and even perhaps as a piece of cold immodesty. She wanted to make herself out "bad"—it was a part of her justification; but it suddenly occurred to her that such a picture of her extravagance imputed a want of gallantry to the young man. "I don't care for anything you think," she declared, "because Owen, don't you know, sees me as I am. He's so kind that it makes up for everything!" She had been perfectly prepared to be surprised at Ricks, for Mrs. Gereth was a wonder-working wizard, with a command, when all was said, of good material; but the impression in wait for her on the threshold made her catch her breath and falter. Dusk had fallen when she arrived, and in the plain square hall, one of the few good features, the glow of a Venetian lamp just showed, on either wall, the richness of an admirable tapestry. This instant perception that the place had been dressed at the expense of Poynton was a shock: it was as if she had abruptly seen herself in the light of an accomplice. The next moment, folded in Mrs. Gereth's arms, her eyes were diverted; but she had already had, in a flash, the vision of the great gaps in the other house. The two tapestries, not the largest, but those most splendidly toned by time, had been on the whole its most uplifted pride. When she could really see again she was on a sofa in the drawing-room, staring with intensity at an object soon distinct as the great Italian cabinet that, at Poynton, had been in the red saloon. Without looking, she was sure the room was occupied with other objects like it, stuffed with as many as it could hold of the trophies of her friend's struggle. By this time the very fingers of her glove, resting on the seat of the sofa, had thrilled at the touch of an old velvet brocade, a wondrous texture that she could recognize, would have recognized among a thousand, without dropping her eyes on it. They stuck to the cabinet with a kind of dissimulated dread, while she painfully asked herself whether she should notice it, notice everything, or just pretend not to be affected. How could she pretend not to be affected, with the very pendants of the lustres tinkling at her and with Mrs. Gereth, beside her and staring at her even as she herself stared at the cabinet, hunching up a back like Atlas under his globe? She was appalled at this image of what Mrs. Gereth had on her shoulders. That lady was waiting and watching her, bracing herself, and preparing the same face of confession and defiance she had shown the day, at Poynton, she had been surprised in the corridor. It was farcical not to speak; and yet to exclaim, to participate, would give one a bad sense of being mixed up with a theft. This ugly word sounded, for herself, in Fleda's silence, and the very violence of it jarred her into a scared glance, as of a creature detected, to right and left. But what again the full picture most showed her was the far-away empty sockets, a scandal of nakedness in high, bare walls. She at last uttered something formal and incoherent—she didn't know what: it had no relation to either house. Then she felt Mrs. Gereth's hand once more on her arm. "I've arranged a charming room for you—it's really lovely. You'll be very happy there." This was spoken with extraordinary sweetness and with a smile that meant, "Oh, I know what you're thinking; but what does it matter when you're so loyally on my side?" It had come indeed to a question of "sides," Fleda thought, for the whole place was in battle array. In the soft lamplight, with one fine feature after another looming up into sombre richness, it defied her not to pronounce it a triumph of taste. Her passion for beauty leaped back into life; and was not what now most appealed to it a certain gorgeous audacity? Mrs. Gereth's high hand was, as mere great effect, the climax of the impression.!

"Tells her what?" Fleda inquired. "She knows how awfully kind you've been to me," Owen said. He showed such discomfiture that he really gave away their situation; and Fleda found herself divided between the hope that he would take leave and the wish that he should see the whole of what the occasion might enable her to bring to pass for him.

"Give what up?" If Fleda handed this communication to her friend as a triumphant gage of the innocence of the young man's heart, her elation lived but a moment after Mrs. Gereth had pounced upon the tell-tale spot in it. "Why in the world, then," that lady cried, "does he still not breathe a breath about the day, the day, the day?" She repeated the word with a crescendo of superior acuteness; she proclaimed that nothing could be more marked than its absence—an absence that simply spoke volumes. What did it prove in fine but that she was producing the effect she had toiled for—that she had settled or was rapidly settling Mona? Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged.